Complementary exhibition · Los Angeles
El Correfoc del Desierto
A curatorial project by Dani Nebot, with curation by Begonya De Salvo. A choreography of images and one sculptural object — five graphic "Dimonis" alongside a scale model of the Correfoc piece that will burn at Burning Man 2026.
- Venue
- Los Angeles Public Library
- Curator
- Begonya De Salvo
- Artist
- Dani Nebot
- Year
- 2026
00 — Walkthrough
Exhibition space — preview
01 — Framework
Conceptual frame
The exhibition transposes the ritual intensity of the Mediterranean correfoc into the symbolic landscape of Black Rock City — articulating a productive tension between tradition and counterculture, between the iconography of the dimoni and the ephemeral ethics of the burn.
In the gallery, image and volume operate as devices of presence. They do not illustrate an event; they activate one. Fire reads as celebration and threat, purification and archive. The dimoni is not folklore — it is a limit figure: desire, chaos, transformation.
02 — Graphic series
Dimonis — five totemic portraits
Five large-scale images conceived as totemic portraits. Read in sequence as formal variations of a single entity, suspended between celebration and unease. Installed at eye level with generous museographic breathing room and even light.






03 — Sculpture
Correfoc — scale model
A scale piece built from the assembly drawings of the full sculpture. In the gallery it operates as a ritual model: it anticipates the burn and turns the future into present experience.
Recommended: low plinth allowing 360° viewing, discreet safety perimeter, even light. Full piece footprint approx. 6000 × 6000 mm; model adjusted to room conditions.

05 — Chromatic essay
Why Pink?
The eight-metre sculpture designed by Dani Nebot and produced by Miguel Arraiz challenges the conventional visual language of the Correfoc, where demonic figures have traditionally been associated with red and black. For precisely that reason, the choice of pink is not whimsical, but deliberate.
Drawing on the semiotic tradition associated with Umberto Eco, the meaning of a sign depends not only on its form but also on the cultural codes we share. Colour is part of that system of meaning. A red demon reinforces familiar imagery and adds little new information: red already belongs to the world of fire, embers, and flame. The reading is immediate and expected.
Pink interrupts that expectation.
Rather than confirming established associations, it introduces ambiguity and invites the viewer to reconsider the figure before them. The sculpture remains recognisable, yet its colour shifts the interpretation, moving it into a contemporary visual language that creates a productive tension between tradition and innovation.
The decision is also practical. Against the pale landscape of the Black Rock Desert, pink provides a powerful visual contrast while allowing the flames themselves to supply the reds and oranges traditionally associated with fire.
In this sense, the colour is not an aesthetic detail but a conceptual choice. It transforms the relationship between sculpture and viewer, suggesting that meaning is already being constructed before the first spark is lit.
— Cristina Zani
Chromatic Consultant, Correfoc
06 — Documentation
Assembly drawing
Construction system: dovetail-joined panel assembly. Plans, sections, details and montage documented at A3, dimensions in mm.

07 — Public program
Around the exhibition
- TalkFiesta, mask and community — from the Mediterranean to the desert
- PerformanceLight and sound piece on the language of fire and the ephemeral
- WorkshopContemporary iconography — designing emblems and totems